At the entrance to the park, a shaggy Border collie called Chicken is being restrained by its owner: “No, Chicken! Leave it! Chicken! No!”
At one of the houses that backs onto the green, a thin bald man in a fleece jacket and faded jeans is carefully stencilling the names Brian and Susan onto the back rest of a wooden bench in a swirly gold font. I pass him as he’s admiring his work. He glances up and waves briefly before walking up the gravel path, past the little tableau on the lawn: a stone tortoise apparently engaged in combat with a tiny plastic second world war infantryman that has been painted white. At the entrance to the conservatory, the man places his unlit roll-up on the window sill, kicks off his boots and disappears inside behind a bookcase of faded hardback autobiography spines: Botham, Clough, Greavsie …