The Lonely Pig on the Moor

Every day this week, I’ve seen the lonely pig on the moor. It runs to the perimeter of its pen and stares at me as I walk past. Yesterday morning, when it came to meet me, I made two pig-like grunts (I don’t know why, I wasn’t really thinking about it) and it responded in the same manner.

Further up the moor, Mr Briggs pulls up. He winds down the window of his Suzuki Carry and tells me that he and his missus have been by coach to Eastbourne for a ‘Turkey and Tinsel Weekender’. “Aye,” he explains, “Tuesday was Christmas Eve, Wednesday was Christmas Day, and Thursday was New Year’s Day. £125-a-head all-in, including four drinks, which is enough. We had a real time!” Mr Briggs goes on to tell me that by the Thursday (New Year’s Day) he’d found he fancied a fish. He says he travelled to a chip shop in Brighton only to find that they cost £10.50 so he hadn’t bothered in the end.

Back in town, the gas board are digging up the roads. The woman in the pink onesie who is sitting on her front step surrounded by small statues of Yorkshire terriers while she smokes a cigarette, tells me, “It’s a right pain, there’s nowhere to bloody park.”

A gold Kia Picanto screeches to a halt outside the church and a man in his seventies with a beard and glasses gets out brandishing a small hand plane. He slams shut the car door, shoulders open the gate of the churchyard and sprints down the path and through the open doors. Within seconds I can hear the sound of wood being energetically smoothed echoing out from the church interior.

At 2.30pm, at the top of the hill, I encounter two large women in their seventies. They are dressed in identical spotted Dalmatian onesies and appear to be very drunk. They cling to one another as they zig-zag across the middle of the road whilst inexplicably making load “miaow” noises like enormous bipedal dog-cats. In the supermarket, the woman with the sensible shoes and bag-for-life is telling her husband about her dislike of Milk Tray chocolates. “Don’t ever buy me Milk Tray again! I hate them! Joan bought me some last year and I’ve still got them. Yuk!”

PS: The film at the head of this post was shot from approximately the same place that Edwardian filmmakers Mitchell and Kenyon made their short film in Huddersfield 114 years ago. Link to BFI Player here: http://player.bfi.org.uk/film/watch-employees-of-messrs-lumb-and-co-leaving-the-works-huddersfield-1900-1900/

I Chase Cloud Shadows Up Over the Moor...

I chase the cloud shadows up over the moor and onto the estate where the men still drive Rovers and wear their hair in elaborate combovers that flip up in the wind like busy, beige peddle-bin lids. Wind-assisted lapwings flock in the field behind the abandoned Renault camper, the pretend duck by the bin store ‘quacks’ as I pass, and a replica of a basset hound peers out from the large stone handbag in Mrs Hinchliffe’s Alpine rockery, its head bobbing on a spring. People in comfy shoes restrain small terriers, fry liver and onions, smoke cigarettes, and scrape fluvial sediment from a storm drain with a butter knife. A man with a bit of dinner on his face sits on a collapsible chair outside his conservatory door. He is surrounded by marigolds, begonias, gladioli, Sport For All stickers, a faded Basil Ede print of some ducks, a pile of VHS video cassettes, a dozen or so pretend meerkats, and a miniature wooden wheelbarrow stuffed with pansies and snapdragons. Next door, a ten-year-old dusty-pink Kia Picanto pulls up and a grey-haired man with thick, plastic-rimmed Reactolite glasses and a three-quarter length beige anorak climbs out. He slams the door, opens the boot, and unloads three heavy looking Lidl bags-for-life. He pulls out a small packet of dog biscuits and holds it up high to show the man with the dinner on his face who shouts, “Thanks, Derek!” and points towards the open door of his green plastic shed, “Wob us it in there, can you?”